Industry Experience:
With over 20 years of professional experience spanning multiple sectors, I have cultivated a diverse skill set and a deep understanding of various industry dynamics. Initially, I dedicated 5 years to the events, outside broadcasting (OB), and theatre sectors. During this period, I gained invaluable experience in live event production and the unique technical demands of theatre productions.
Subsequently, I transitioned into the film and television industry, where I have spent the last 15 years refining my expertise. This transition allowed me to leverage my previous experience while adapting to the distinct requirements of film and TV production. My comprehensive background enables me to contribute effectively to a wide array of projects, ensuring high-quality outcomes regardless of the medium.
Gaffering Experience:
I have accumulated 12 years of specialized experience as a gaffer, working across various areas and projects. My gaffering expertise spans numerous genres and production environments, from small independent films to large-scale television series. I have honed my skills in lighting design, equipment management, and team coordination, ensuring that each production benefits from precise and creative lighting solutions.
Directors of Photography Collaborated With:
I have had the privilege of working with esteemed Directors of Photography, including:
Karl Oskarsson IKS, Ollie Downey BSC, Nicola Daly BSC ACS, James Blann, Annika Summerson BSC, Denson Baker NZCS, Max Williams, David Raedecker BSC
Filming Sectors and Notable Work:
I have extensive experience in various filming sectors. My commercial work includes campaigns for brands like Apple, National Lottery, Honda, Burberry, Tesco, Bosch, Sotheby’s, eBay, L’Oreal, Virgin Atlantic, Guinness, Vogue, O2, National Geographic, Amazon, and Nike. Recently, I have also been involved in narrative productions such as Netflix’s “Man Vs Bee,” “Feel Good,” “Bridgerton,” and BBC’s “Ludwig” and “This Country.”
Favourite Aspect of the Job:
What I enjoy most about my job is the collaboration and inspiration that come with realising a lighting vision. Whether it’s the creative or technical aspects, building and working within a team is where I thrive.
Future Aspirations:
Looking ahead, I aim to continue building strong working relationships in both narrative and commercial projects. Additionally, I am passionate about training the next generation of lighting technicians through workshops, qualifications, and on-set experience.
Qualifications:
FdA Theatre Lighting Design Practice, Wimbledon School of Art, 2007-2009
BA Interactive Multimedia, Oxford Brookes, 2002-2005
City & Guilds 2382 Requirements for Electrical Installations, BS7671, 2020
City & Guilds 2330 Electrotechnical Technology, 2008
NAPIT Certificate in Design & Management of Temporary Electrical Systems, 2018
Experienced with Virtual Production techniques
Proficient with CAD systems and Vectorworks Spotlight
IPAF Powered Access License 3a scissor lifts & 3b self-propelled booms, exp. 2026
Trained in the use of mobile scaffolding towers
Safety passport
Proficient in lighting programming, networks, and current lighting control systems
Familiar with counterweight flying systems and motorized rigging
Languages:
English